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Creating Tomorrow’s Performers Today!
IN ADDITION TO THE BELOW CLASSES,
WE ALSO OFFER
HIP-HOP AND VOICE!!!



ACRO - TUMBLE
Instruction includes acrobatic training, such as, cartwheels, walkovers, limbers, splits etc…and variations using the many acrobatic stunts. Tumble training includes learning stunts, such as, back hand-springs, side and front aerials, back tucks etc…for dance and cheerleading activities.
BALLET AND POINTE A classical form of theatrical dance having its own technique, movements, traditions, and vocabulary. Ballet fuses dancing, symphonic music, theatrical scenery, costumes and lighting. After students receive necessary ballet technique, they begin pointe training.
COMBINATION (5 year olds) This class is the 5 year old child’s opportunity to continue their learning about the imaginative and creative world of performing on stage. The students explore five separate disciplines including ballet, acro-tumble, jazz, tap and baton twirling.
CREATIVE MOVEMENT (3 & 4 year olds) This 45 minute class is the 3 and 4 year old child’s introduction to the imaginative and creative world of performing on stage. The students explore fundamental dance techniques (ballet & jazz) along with introductory
acro-tumble training. The instruction utilizes songs, rhythms, tumbling and imaginary play.
JAZZ Various dance movements characterized by the use of isolations, turns, leaps, jumps, etc…and influenced by rhythms and techniques of jazz music.
LYRICAL – CONTEMPORARY A contemporary, stylized form of dance that demonstrates extension and balance, as well as communicating, to the audience, a clear interpretation of the music.
STRENGTH AND CONDITIONING A series of exercises designed to develop strength, flexibility, balance and athletic performance.
TAP A dance in which the rhythmic patterns are sounded out by the clicking taps on the heels and toes of dancers shoes. Available for students 5 years through adult.
TWIRLING – FIELD CORPS Instruction of proper baton, hoop, flag, ribbon etc…twirling and field corps technique.

 


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